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A
Treatise based on the assumption that there is no cultural trend
or reference used today that didn’t exist in another form either
ten or twenty years ago, or ten or twenty minutes ago, and was
copy/pasted into it’s present existence.
I have always
called myself a “student of popular culture”. To offer a loose
explanation: In my spare time, by the very act of existence, by
watching tv, reading magazines, and buying every media software
ever invented, (including quite a few that don’t exist anymore)
I have “studied” all the popular cultural trends in American Society
as they happen, and try to find an academic reason for why they
react to history, or if history reacts those trends. When a cultural
icon passes my frame of reference, I try to remember each in it’s
social context and in chronological order. By doing this am trying
to develop a view of society and culture by watching these trends,
their impact, importance, and lasting effects. Most importantly,
I wish to document my somewhat skewered personal beliefs and rants
about society, and it’s somewhat sick sense of humor.
So, in the
interest of purely academic bullshit, I have decided to write
my master’s thesis on the subject of popular culture, from at
least as far back as memory serves till yesterday, or whenever
I decide to FTP a page or two to this site. This website will
incorporate this “thesis”. The major point of the piece (this
website) concerns, as the title suggests, the immersion of 21st
century society with a popular culture based on advertising and
entertainment, which changes as rapidly as technology, so arrives
and departs much quicker as the years multiply. (And as I age.)
Since most cultural “art” and “music” in the 21st century
is copy/pasted from something that existed before in either that
or another form, this has really started to get interesting. With
the proliferation of “boomer nostalgia” sites on the internet,
young people growing up today are discovering history and culture
as more and more is remembered, unearthed, and documented.
All American
Popular cultural icons carry equal weight in cyberspace. Most
everything has it’s own cadre of websites, “fanzines” of another
time created on a current medium for a current society.
This website,
part of the ever growing AllThingsMike webhub linking the
writing and art of Michael
F. Nyiri, brings us Culture in a Blender, all in one place,
in and out of context: entertainment and historical significance
are equal here. Art and advertising exist like the flavorful
ingredients of a fine elixer……an elixer created in the Cultural
Blender.
So
pick your button on the blender, or chop, blend or puree them
all together
Original text
from site commencement in Oct. 3, 2001
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April
22, 2007: The Cultural Blender Movie page
is online. The image above is from the animated title sequence of
the video. Completely animated in my new Vegas movie editing software
by Sony, the movie is a "flash animatiion" type video, in
which 16 of the "icons" pictured in the Cultural Blender
image
(at left) "come to life", jump out of the Blender, and are
"celebrated" with images, video, music and soundbytes. A
complete "history" of the conception and execution of the
video is included on the Movie page, as well as a high quality stream
of the movie, links to the YouTube and Google feeds, plus, for a limited
time, a download of the full 256MB mpeg 2 file, which is crystal clear,
and can be seen in full screen on your computer once it is downloaded.
Other similar "Cultural Blender" movies feauturing the other
icons are already in the planning stage.
This website first
went online in 2001. The "mission statement" is in the box
in the left hand sidebar. New sections have sporadically appeared
over the years, but recently, plans have been made to completely update
and revitalize the site. The first section of the Cultural Blender
to be updated in a long while, the new "Cultural
Iconography" section is moving ahead in the construction
phase. The original image of the "Blender", also first created
in 2001, has been "re-created"
for the just released MikeVideo Internet Movie
showcasing the "Cultural Blender". On the "Cultural
Iconography" page, each of the "icons" in the blender
index the pages with info about that particular icon. The links will
become active as the pages are added online. Pages about Shirley
Temple, America's Sweetheart, the number one box office star in
the U.S. from 1933 to 1935, John Wayne, the
archetypal "western hero" and Marilyn
Monroe, the "blonde bombshell" and sex goddess are online
alreayd.A page about Elvis, "the King"
is partially completed. The page is online. The plan is to create
a page for each "icon" in the blender image, and link them
from the image itself on the Icons page.
UPDATE: April 20: The "Cultural Blender
Movie Page" is now online and features both a streaming version
and a downloadable high quality mpeg2 version of the 9minute 16second
"Cultural Blender" internet movie, the latest MikeVideo
project.
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Didn't
you know? The ROBOTS are here. And
they have their very own website on the Cultural
Blender. For the first time anywhere, the Cultural Blender gathers robotic
lore, cultural images from the collective consciousness of the world
population, and history of the "real robots' and mixes it all together
including of course the famous composite artwork by Michael F. Nyiri,
the webmaster. This special website was not only a labor of love to
create, it came about in only 48 hours. Beginning with a google image
search for "robots" at 6:00 a.m. on Saturday, Feb. 13th, 2006,
and FTPing six sections, four completed and two incomplete, but with
more content in their unfinished state than most websites that have
been up for almost a decade. Robots is, like all the websites in the
Cultural Blender, and on the AllThingsMike
Universe, an electronic experiment in art. Experience the art of the
Robot, exclusively on the Cultural Blender.
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©,
ElectricPoetry © 1999-2007 MikeVideo Enterprises and Michael
F. Nyiri. All original essays, poetry, and art are copyrighted,
and cannot be used without permission. The author is pleased to
see his words on the pages distributed by others, but only if
permission is granted. All popular cultural and news images are
taken from the internet in general, and no copyright enfringement
is implied by the use of these images. Some images used in composites
might be copyright, but all attempts to identify and credit all
images is ongoing. If you see words or images that are not credited
correctly, please email
the webmaster
is part of the AllThingsMike
Webhub
Cultural
Blender uses images and references to American Popular Culture.
So even though, in the interest of science, images and references
are used, full
credit will always be given, or at least attempted, within
the context of this document. On the “Channels” page, where
links to these sites will be posted, there constitutes a bibliography
, of sorts. If you see a photo., part of a composite, mention
of a trend or a feature of American Popular Culture which
you do not believe I have documented correctly,please email the webmaster.
®
® ©
©
©
©
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